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"Godzilla" became more goofy, more funny.
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Over time, though, as audiences changed, as tastes change and as the Japanese movie industry changed, "Godzilla" adapted. It was a serious film with a political message made for adults. So needless to say, "Godzilla" has changed a lot. There have been 33 live-action films made in Japan and the United States over that time. TSUTSUI: Well, you know, "Godzilla" has been going now for about 70 years. ROTT: So how has the symbolism of Godzilla evolved over the many decades that they've been putting out movies on him? But clearly, there was this threat of Godzilla being a outside force that was threatening to Japan. The makers describe Godzilla as being death, as being fear incarnate.
TSUTSUI: You know, there are a lot of metaphors you can use for Godzilla. I mean, it seems like in some of those original movies, Godzilla was the U.S., right? Am I missing that, or is that - was that kind of the case? But even more proximately, it was inspired by American H-bomb testing in the South Pacific - hence, the narrative in the movie that Godzilla is a dinosaur left over from the Jurassic age that is rendered monstrous and destructive by radiation. So the original film came out in Japan in 1954 and was very much inspired by the atomic bombings of 1945 and Hiroshima and Nagasaki and the lingering traumas in Japanese society and in the Japanese psyche about those events. TSUTSUI: Godzilla was very much born with the nuclear age. ROTT: William Tsutsui is a scholar of modern Japanese history and the author of "Godzilla On My Mind: 50 Years Of The King Of The Monsters." When I spoke with Tsutsui earlier this week, I asked him to tell me a bit about the origins of Godzilla and how the monster has always been kind of an allegory for the crises people faced in real life. But what I think is really wonderful about them is if you put them in the historical context of when they were made, almost all of the movies have some relationship to a major issue convulsing Japanese or global society at the time. If you want to drink a couple of beers and just watch it as two guys in rubber suits wrestling with each other, knock yourself out. WILLIAM TSUTSUI: You know, the beauty of "Godzilla" and why "Godzilla" has lasted 70 years is because you can watch these films so many different ways. The thing is, "Godzilla," even from its earliest days, has always been more than just a collection of monster flicks. And like the original "Godzilla," the OG "Godzilla" made in 1954, in black and white, the new film looks to take place in post-war Japan.Īnd sure, you may be listening to this and thinking, OK, aren't there, like, dozens of "Godzilla" movies? Do I really need to watch a big, spiny-backed lizard destroy Tokyo for the umpteenth time? Yeah, yeah, yeah. This is the production studio's first "Godzilla" movie since 2016.
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And, full disclosure, I am a longtime "Godzilla" superfan, so I am, like, goosebumps excited, largely because the film is being produced by Toho, a Japanese production company that's been making "Godzilla" movies since the iconic monster was played by a guy in an ill-fitting rubber suit. ROTT: A new trailer for the latest entry in the "Godzilla" franchise, "Godzilla Minus One," dropped this week. UNIDENTIFIED ACTOR: (As character) Godzilla. (SOUNDBITE OF FILM, "GODZILLA MINUS ONE") He has, through his lawyers, repeatedly denied sexually assaulting the women.He's known to some as king of the monsters, king of the kaiju. Masterson, a once-popular sitcom star, did not take the stand at either of his trials.
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He had been charged with raping three women - identified at trial as Jane Doe #1, Jane Doe #2 and Jane Doe #3 - from 2001 to 2003.
Masterson was hit with the staggering sentence four months after he was convicted on two of the three rape counts he faced at his retrial in Los Angeles. Anna Webber / Getty Images for Netflix file Danny Masterson speaks at a launch event for Netflix's "The Ranch: Part 3" in Nashville, Tenn., on June 7, 2017. Masterson's wife, Bijou Phillips, a model and actor who was a constant presence at her husband's trials, quickly donned a pair of sunglasses after Olmedo announced the sentence. Masterson, I know that you’re sitting here steadfast in your claims of innocence and thus no doubt feeling victimized by a justice system that has failed you," Olmedo said just before she dispatched Masterson to prison.
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